I tell the story of the trees. Stout broadleaves and tall evergreens who guard the portals to the Watershed. My muse is the Green Spirit, the force that drives the seed, flower, and fruit through the green fuse. Begin, Muse, on that nameless Pacific coast. Imagine that dark progenitor the Sea, the white breakers washing up amnion of living matter onto the swarsh wastes. The midwifing shore fills organa into the cradling scarp: wood, weed and kelp, and the numberless unborn, stranding dark materials on the strand. On the banks the first salty offspring, the dune grasses and hardy verbena, the morning glory and yellow iceplant, shuffle up the sand like a pilgrimage. On the bald bluffs, the lupin and sage lay like sleepy hamlets before the gates. High on cliffs, the spruce and cypress stand as bulwarks against the spray. Imagine Fog rising like flue-gas out of the vaporous furnace of the Sea. Roiling titan, the Fog born of the Sea, runs his fingers through the green tufts of trees. He grips the aprons of mountains and clutches terraces. On hands and knees he summits heroically the coastal range and reaches with hands outstretched to pilfer the pearl Moon, to steal the jewel dawn locks away in its vault of blue. And each morning the Sun’s golden doors thrown open burns the Fog away in pillars of steam white and broken. The gods of Nature—Sun, Fog, and Sea, and the Green Spirit, too—fashion with their art the mighty will of trees. Green their souls, and Green their deity. Sylvia, the Green Spirit, Her Verdancy, enlivens and alters their green figura, a forest mask worn by faceless rock. Herself the god of growth and regrowth. Summer to Autumn, Winter to Spring. Season, year and century. What returns to itself, what becomes itself once more. Green the life that lives again and again… Our story in that foggy Watershed begins after the Mother Trees have gone, long, long after their reigns, having ended, broke the ancient bonds of the wide Basin and left the unified woods fragmented. Mother Trees, who once brought plants together by the roots, forged cities underground diverse in alliance, rich in commerce— who governed by their reaching influence and brought the lands together as one wood— vanished by the will of a single tree, but by the will of another grew again. Begin in that umbrageous grove of Middle Hill. There are spirits at work in the undergrowth. The floor scintillates with checkered light that dazzles like the shallow of a seabed soaked in the midday Sun. Green the floor and downy with leaf litter and greased with the black rot of humus. Columns of bark float in the fog and vanish in the narrowing distance. The furrows of their trunks are tufted with spike moss and lichen, their basal mounds are flourished with feathery plumes of sword fern and bracken and capes of sorrel that trail on the floor. A new redwood with its hardy shoot breaks the seal of the compacted soil open and is reborn. Begin with that small tree. Awakened by the light that first unfurled the tender plumule, the first seed leaves flapping their wings as the shoot straightens. And as a seedling the first arms waving their cotyledons, unpeeling from the shoot, virgin green before the first season’s wood. In time the tree, whom the woods call Orus the redwood, will stand as tall as clouds and become the Mother Tree of all the Hill. And brandished like the Green Spirit’s flag raising its woody arm straight from the Earth will flash its beacon for plants in the Watershed, flashing with hope of a prosperous age to come when the whole Basin flourishes in green as the Great Sun, wheeling, shines above.
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This perfectly captures the sense of epic timelessness in those few remaining old-growth redwood enclaves. Feels just like Muir woods did when I spent time there.
Reading this was truly a stimulating experience in the best sense! The artwork is wonderful, to start with—and the way you’ve woven in the echoes of many voices from the poetic tradition is such a perfect evocation of the self-regenerative forest-- or Nature as the "Heraclitean Fire."
I loved the Miltonic appeal to the Muse, loved the Dylan Thomas references-- “The Force that Through the Green Fuse” is one of my all-time favorites. The imagery of the “midwifing shore” recalled Thomas’ “Heron-priested shore,” and also, at least in my mind, was a beautiful counterpoint to Hopkins' “widowmaking, unchilding, unfathering deeps”--
Recently I re-read Tintern Abbey, and I found that same tone here, of passionate feeling for a well-loved landscape. The image of the fog as a heroic Titan was a fabulous reminder of (and contrast to) Sandburg’s fog that walks on little cat feet.
Also, I was wondering if you borrowed— if not ideas then at least atmosphere?— from either The Living by Annie Dillard, or The Hidden Life of Trees by Peter Wohlleben?
I may have supplied some of my own allusions here but felt there was a beautiful braiding of “Tradition and Individual Talent” in this piece. Thank you for sharing, and I’m looking forward to further installments!