I
Once there was only desert. Not a tree lifted its head. Not a rock cut water. Then somehow a garden. God walked in it. The only place to find Him. You found them both at the same time, God and the garden. Then you found a desert of your own making. God was somewhere in that desert, too, inside another garden.
II
The old ways were dying on the vine. Rome was dying like an ox half slaughtered. To the east the Sassanids were at the door. To the north the Germans bastardized her. Forests amuck with tribes, roads with migrants. There was drought and famine and plague. What else could they do but tighten their grip and let the Empire slip between their fingers? They told my parents to sacrifice in the name of Roman gods, in the name of the sons of Decius. They thought, if the whole world prays together on Rome’s behalf, perhaps she will not die. Still emperors dropt like olives shook loose. Stricken with plague. Murdered by men. Silver became worthless. We bartered in crops. Ours was a house of plenty, we did not want. But I had heart-searchings. I went from abbot to abbot like a prudent bee collecting the honey of God’s plan, trying to understand why He sets the world on fire from time to time. It wasn’t until one day, in the Lord’s House, Matthew was being read, when Christ said If thou wilt be perfect, go sell all that thou hast and thou shalt have the treasures of heaven. I’d heard it many times before, but that day— that day, as if it were read on my account, He whispered it softly to me, to my heart. Be emptied that you may be full. And I did. I did! I gave everything away, all my parents had left. And O! how quickly the world was changed, how prosperous my neighbors, my village, became. As fecund as the valley after akhet. What I gave to the land, the land gave back. It was not long after, a thought impressed in me like a seed that would sprout uncountable limbs. What else, if I would be perfect, was left in me unchanged into treasure? It must be the world was not a chest to be opened but an alchemy transmuting the innermost self outwardly. So I went to the desert to weigh my heart.
III
Hold perfectly still and you will see the desert fill with the space between space. You will notice the date tree that you are, and dates that propagate your branches. You will inspect each one with sympathy and find in truth, you are a date tree.
IV
I took refuge in the words of Christ. It was not hard, when the devil first appeared, to guard against his vice, for I was an upright man. I did not anoint myself in oils like the other hermits. I slept easy on a rush mat. My meals were bread and water every third day. When he came as a dragon offering glory, as a woman offering her flesh, even as my sister begging for her inheritance, each time I turned him away. And when I thought the worst was done he took the shape of a black boy dressed as a shepherd’s son walking between the tombs. Woe unto you, I said, guileful one. If any of your forms had power over me it would’ve sufficed if only one of you had come. He laughed and spoke with the same voice as I had had when I was a child. He said What makes you think we came as if we were not always here? As if the source of that voice that saves you now is not also the source of the ones you fear? At this I lunged forward grabbing at the darkness, and there were hosts of beasts lurking wild and savage that siffled and brayed and stretched their paws, their ongles, that rent my body on their horns and claws. Anon a fellow hermit came bringing bread and company who, stopping at the doorway to my tomb, heard my anguish. He rushed inside and found me crippled and disturned on the cold of the floor. My strength, my senses, gone. Our Antony was in such a state, purpled by his own hand, talking with himself as if there were many of him.
V
The desert dreams of a great flood. It watches the sky for its coming, dreaming of mud and the end of thirst. Your bronze horizon at noon is hypnagogic O Valley of Scetis, O Arcadian wastes! Land that Moses left, that Origen restored. Even your hope is ruinous. You worship the old gods, the oldest god with a mindless, golemite servitude. You do violence to the wind that scorns you. Your banded ridges and vales scarred in salt. Your bleached innards of ineffectual sacrifice. Who crawls into your naked catacombs will have the same feverish dreams of utopia as the Israelites, as Jesu had!
VI
He shroudeth Himself not in mysterious garbs. For thy teacher’s sake thou wert mistaken on this. Woe unto them, and woe unto those led astray! He chooseth not His appointed time to make a covenant with thee. It arrives like the sun. It compacts with thee at all hours of the day. If thou dost not greet it, dost not offer it up thy heart, will it not be taken from the hip? Woe unto him who does not offer it. Leave me to it, hermit. Knowst thou Jacob, of the line of Abrahim? He tangled with El. Jacob who El protected strove with him till the break of day. Verily it was the same day that Jacob sent his family and all that he hath over the ford at Jabbok. Knowst thou the one? It cleaves Gilead in twain. It drains naught but treachery and Ammorite blood. He crossed it fleeing Haran, fearing his own brother, Esau, who plotted his murder. Knowst thou the tale? Then believest Jacob strove with El that day. Not I, hermit. Not I. Was this metaphor? Thou hast strove with Him. Was He like some burning bush to thee? Didst thou smell the sweet scent of tinder o’er the range? Wast thou waiting for the earthly tides to fall and remembered not the ford at which a man loseth himself? Verily I say to thee that too is El. Or dost thou look upon a lizard and a scorpion— I know thou hast seen them high in the mountains fighting at dusk, as I have—dost thou look at them and think their struggle metaphoric? I say unto thee God does not wear such expensive garments. You speak true, hermit.
VII
My belly is full, my mind awake. I have chewed on the fat of memory. I have drunk from the bowl of occurrence. In the burnished air vultures ride higher as I inhale, lower as my breath departs. My heartbeat is as the mountains are.
VIII
The second time I went into the desert I was there twenty years, alone. I found a Roman fort in the mountains so long deserted it was full of creeping things and crossed over to it and dwelt there within myself till there remained nothing but God—and I had discerned His heart. Sometimes it was hunger alone. I could sit for days and learn of nothing but hunger, how it stirs a wakeful heart. How it pays attention to what’s there. How it becomes not unlike the things it desires, and fills up even the desert with its desires, stretching over mountains. Sometimes it was the loneliness of mountains. Twenty years is a long time to be alone. And though the appearance of the desert does not alter, the longing in my heart altered it into a thousand thousand things. And what was, and what was not there was a difference that diminished to nothing. How strange, then, when we discern things we learn, at the same time, what’s there that’s similar to all, that cannot exist alone. This, I decided, must be God’s heart. When I emptied myself into nothing my devotion became as the mountains, my fasting the fasting of the desert. I was the things that were there to behold. What was God the mountains alone knew. I was nothing else, a desert in the heart.
IX
God is the God of fecundity. He splits open the desert, draws manna from the wounds. I have sucked out water from the baked floor to remind myself of water. I was not thirsty but offered myself willingly to the feeling of thirst. God asked, Do you know for what it is you thirst? I plucked this fruit and was full.
X
God is in the world. All is good. In all I know or ever could his harbingers sing Alleluia! What is understood is understood. Twenty years of solitude to learn what some men often earn in a year’s hardship, or in a day’s. Now I learn it every day, and unlearn. Does the apostle not say, Die daily that you riseth again continually? So God who is all things died to prove the work is done plainly. So I descended the mountains and found the blood of the Christian spilt by lions in the games, crucified in the name of Caesar Diocletian. And I cried to them in Alexandria, Die well, blameless and accusing, that they may tell by your deaths who they themselves are. Let them know upon what their hearts dwell. God is living, and God has died. One performs Him, one casts Him aside. Even the casting aside is fulfillment. He is all, and in all—Abide! Abide!
Thank you for reading
Some other poems in the series so far:
“Miles the Husbandman” - A war veteran reflects on the country he’s left
“They Consult the Sibylline Books” - On Nero playing while Rome burned
“Caesar Pater Patriae” - On Caesar the Patriarch
“Brutus the Senator” - A dramatic monologue by Brutus to Cicero
“The Cult of Caesar” - On the divine status of Julius Caesar
“The Ritual Sacrifice of Caesar” - On Caesar’s assassination
“Caesar Ultor” - Caesar takes bloody revenge for his murder
“Caesar Triumphator” - As a god, ruminating on the order he’s created
“Capo the Aquari” - On getting by in the Empire
“The Sibyl Hands Superbus the Books” - The voice of the Sibyl casts a warning
“SPQR” - on the bodies of the State
“Civitas” - On the sentiments of the optimates and the populares
“Vixerunt” - On the fate of the Catiline conspirators
“The Coming of Caesar” - Heroic, galloping dactyls on the omens foreboding Caesar
“Populus” - On Caesar’s political victory over Cato
“Res Publica” - On the decay of the State
“Veni Vidi Vici” - On Caesar’s 10+ years of military ascension
God bless you for writing this ambitious poem! its incredible! parts like v were reminding me of pound and what i like in pound, the gravitas and courage. ive been coming back to read this again periodically the past few days and will probably return. there is spiritual depth in this poem and its edifying and inspiring. i thank you heartily!
An interesting morning read! After a quick first pass, I just want to jot down some notes:
* The major mode of the New Testament (clipped narrative, earthy but hard to resolve anecdote) is apparent here.
* So are the modes of the modernists, Pound and Eliot, the montage of different styles and the academic source eclecticism. Your take is more contained, for obvious reasons--more Christian, more orthodox, and also just cleaner and more approachable.
* The choice of theme--asceticism--is ambitious. I think in our civilization the tradition of self-denial is especially odd, especially self-denial as mental exploration, rather than social utility. It's freaky.
* It's a reminder that the whole lyric tradition of listening to yourselves and playing with our minds is part of a much larger, usually religious tradition. And that it is not a very safe one. It might lead to madness, for instance.
* Secular takes on the theme--Bidart in Ellen West (anorexia), and Rilke (Duino Elegies, intense, elegant world-hatred) are few and far between. But those examples are very powerful and disturbing.
* This poem in contrast, by being embedded in a tradition of a particular long-ago historical figure, seems less threatening. And the emphasis is more on finding God than finding God by denying the world and the self. The negative theology (it's here because it's not here) is more Stevens than visceral.
These are just first impressions I wanted to capture. I'll do another read this wknd. Thank you putting this our there. Intriguing!